February eight, first afternoon hour. I want you now to reverse your chairs so that you're facing the other end of the room. Alright. Now the reason I'm doing this if you've go to have a reason, is we're just simply reversing the auditing flow. That's the only significance to this.

And this is second hour of February the 8th, 1954, processing session.

OK? I want you to spot now any automaticity which has occurred and resulted in a bog down, that is you have had in any auditing you have ever had. Just spot one. And be way away from your body. Now come on, let's spot one of these automaticities. Spot an automaticity. Now duplicate it. And duplicate it, and duplicate it, and duplicate it. Go on, just put it up there and duplicate it, lots of it. Lots of duplicates of it. Lots of duplicates. More of them.

Now, I want you to make yourself comfortable.

Now get the idea of being the auditor in this session. Get the idea of being yourself. Being the auditor in this session. Now mock-up a lot of duplicates of yourself as the auditor in this session. Now be yourself and mock-up a lot of duplicates of yourself having this automaticity. Now be the auditor and mock-up an awful lot of duplicates of you being the auditor. OK.

And this is a Group Process you haven’t had run on you before, but it has a slight tendency, now and then, to make somebody pretty jumpy, pretty nervous, occasionally. And if it gets so you can’t stand it or something of the sort-make sure it’s at that level-why, Bob will take you in the side room there. Okay, Bob?

Now throw that away. Mop it up, do something with it. And duplicate now what you've just done. Many times. Duplicate what you've just done. Alright, throw that away.

Mak voice: Yeah.

Now give me three things you don't have to duplicate. Three things you don't have to duplicate. Some more things. And now some things that aren't demanding that you duplicate them. Some more things that aren't demanding that you duplicate them. Some more things that aren't demanding that you duplicate them.

And straighten you out a little bit. And the next one, Dick will take. Okay?

Now let's check off some places where you are not.

Now, our main problem here, of course, is Assignment of Cause and that’s the process we’re going to run.

And get some places now that aren't demanding that you duplicate them.

And now some people that aren't demanding that you duplicate them.

Now decide that s the cause of all of your difficulties.

And now some years that aren't demanding that you duplicate them. Some years that aren't demanding that you duplicate them.

Flinch away from it.

And now some places where you are not thinking.

Refuse to look at it.

Alright, let's get the idea now of going away, coming back, finding nothing and putting something there. And just continue to run that cycle for a while.

Now get a whole lot of reasons why it’s the cause of your difficulty.

OK, let's check over now some dead bodies that you are not. Some more. Some dead bodies that you are not. More dead bodies that you are not. More of them.

Okay. Let’s pick out another object.

Now let's get some statues that you are not. OK.

Now decide that’s the cause of all of your difficulty, flinch from it, refuse to look at it and get all the reasons why it is.

Now let's check over some things which don't have to remind you of something. Some things that don't have to remind you of something. Get at least one that you're very certain of.

Okay. Now look around the room and pick up one object, then another object, then another object, then another object, each time deciding it isn’t the cause of your difficulty. And light on the last object and decide it is.

Alright, let's mock-up a guiding light now. And more and more and more guiding lights. Make it glitter more. More of them, and more of each one of them, and denser on each one, and get the fire on it hot and radioactive. See if you can get it to continuously glow, or get them to continuously glow. Lots of them now. More of them. If they do anything peculiar, just keep putting them where you were putting them originally. Just keep putting them there. More glow, more power, more glitter. Put some more of them there. More of them. More guiding lights. And have the guiding light tell you what the future's going to be like. And keep putting it there while it tells you all about the future. Have it tell you a century's made out of vanilla gum drops now. Have it insist on this.

Get all the reasons why it is.

OK. Give me several places where you are not. Some more places where you are not.

Decide you better never look at it again.

And with your eyes closed now see a MEST object. Look straight through it, and look through all succeeding objects. At another MEST object, and look through it.

Decide you better forget all about it now.

OK, now find something real in your environment, and not using your hands reach for it and withdraw from it. Do that again. OK.

Okay. Now those of you who can, exteriorized, be at some distance from your body, be at some distance. And I want you to run now a little process known as the Guiding Light.

Now be at some distance from the body. Alright. Now think a thought. Now have that thought be the cause of all of your difficulty. And get the reasons why it is. Think another thought, and have that thought be the cause of all of your difficulties. And get the reasons. Get some kind of a picture now, even though it is black, and assign it the cause for all of your difficulties, and get the reasons why. And another picture, and assign it cause for all of your difficulties, and get the reasons why.

Want you to mock-up a light, whether you’re in or out of your body, mock it up and get it nice and strong and get it pouring out lots of light. If it disappears right away, put it there again. Just keep putting it there. And decide that is your guiding light that knows all and tells you where to go.

Now take any well known label or brand, trademark, assign it the cause for all of your aberration and down fall, and get the reasons why it is. Now get how much courage it's going to take you to go on, after you knew this.

Keep putting it there.

Now pick out a person, assign this person all of the cause that has made you into such an effect. And get four nonsense reasons why this is so. Now pick out a movie actor and assign him the cause for all of your difficulty, and then nonsense reasons as to why.

Keep putting it there.

OK. Mock-up a black box, move it to the right and stop it. Move it to the left and stop it. Decide which is right and left. Move it to the right and stop it. Black box, move it to the left and stop it. Move it up and stop it. Move it down and stop it. Now turn it around and stop it. Move it up and stop it. Move it behind you and stop it. Now change it. Now start it, now stop it. Now change it. Now start it, now stop it. Now change it. Now start it. Now stop it.

Put it there. It knows all and tells you where to go, your guiding light.

Now give me some places that you know you are not.

Keep putting it there.

And some things which you don't have to believe are real. Some things which you don't have to believe are real.

Now get a reverent attitude toward it. Your guiding light. Put it there. Just keep putting it there, regardless of any somatics or occurrences or anything else that happens there.

Some things you don't have to agree to.

Now, those of you that are outside, put a guiding light near the body and keep putting it there, as a thing that tells the body which direction to take, to go and what will happen. Get the body with a reverent attitude toward it.

Now get various bodies in which you are not stuck.

Keep throwing it out there. And get it good and energized. And see if you can’t build it up now to a real blazer. Like a white-hot or radioactive cannonball, let’s get that up there.

Now pick out various auditing sessions that you have had, one after the other, and assign to each one the cause of all of your difficulties. Get more of them, and assign to each one, "This is the cause of all my difficulties. When I was a child too." Some more auditing sessions.

Keep putting it there, regardless of what happens.

Now give me some places where you are not.

Now decide that’s cause. And throw it away.

And now some places where you will not be thirty seconds from now. Some more.

Okay. Be some distance back of your body and give me three places where you are not.

Alright, now get some places you are not at this moment being ordered to go to.

Those in the body still, give me those three places where they’re not.

Now get some emergencies which are not demanding your immediate presence. Now some circumstances, preferably catastrophic, which are not demanding your immediate presence.

Now find the three places that you can find where you’re most certain that you are not. Most certain.

Now some places where you are not at this moment going unconscious. Some more. Now some places where you are not at this moment dying. Now some places where you are not immediately going unconscious.

Okay. While exteriorized or interiorized, do this process now.

OK. OK. Let's mock-up now a guiding light. Same way, more of them. Lots of them. Lots more of them.

Get the idea of walking away from the body, then finding nothing and then putting something there.

Now let's get some form of light or darkness which you can easily reject and throw away. Some form of light or darkness which you can easily throw away. Change its quality or value until you can throw it away.

And just repeat that over and over: Walking away, finding nothing, then putting something there so that you’ll have something.

OK. Now check off some of your possessions, some of your possessions that you could throw away with certainty. Some of the things which you have which you really could throw away. OK.

Walking away, finding nothing, putting something there.

Now let's be way up, look over the environment right where you are, and have object after object, put the thought in each one of them of looking up and assigning cause to you. You're the cause of me or of this. Get object after object now assigning cause to you. You're the cause of all this. On object after object, looking at you now reverently and saying, "You're the cause of all this."

Walking away, finding nothing, then putting something there.

OK. Now have object after object look at you and say, "You're the blame for this." Object after object.

Let’s continue that as a cycle: Walk away, find nothing and then put something there. It’s done best way out someplace.

Now pick out people in the environment and have each one of those firmly with the thought, "Shame on you, you're to blame for this." Now put the thought in a lot of these people now, "We know all about you." "You don't know but we know." Put that thought in them now.

... Walk away, find nothing and put something there.

Now give me some places where you are not. Some places where you are not.

Continue that as a cycle, continue that as a cycle: Walk away, find nothing and then put something there.

And all those tending to dope off in this process, and all others, particularly those tending to dope off here, those tending to dope off, those tending to dope off start mocking up unconscious people. Start mocking up unconscious people. The idea being to mock-up unconsciousness. Let's just mock-up large numbers of unconscious people. Large numbers of unconscious people. More of them, more of them, more of them. Now let's start mocking up unconscious people and changing them into you. Unconscious people, change them into you as a thetan. Unconscious people, change them into you as a thetan. Unconscious people, change them into you as a thetan. OK. Throw them away.

Now change it to walking away, find nothing to eat and put something there.

And give me some conditions which you are not in. Some conditions which you are not in. Some more conditions that you're not in.

Walk away, find nothing to eat and put something there.

Now let's check off some bank vaults which you are not in at the moment. Some bank vaults that you are not in at the moment.

Now walk away, find no sex and put some sex there.

Now let's check off some stoves that you are not in at the moment.

And continue that cycle: Walk away, find no sex, put some sex there.

Now let's check off some houses you do not have to run out of at this moment.

Okay. Now let’s check over and find three places you’re not, good and certain that you’re not in those places.

And some tortures it is not necessary for you to avoid at this moment. Some tortures not necessary for you to avoid at this moment.

Okay. Now let’s get some more places you’re not.

Let's check off some wild animals that are not attacking you.

Group Processing: Assignment of Cause

Now let's check off some things now that did not create you.

Some more places you’re not.

OK. Let's mock-up some guiding lights. Lots of them. Some guiding light. Lots of them. More guiding lights. Many more guiding lights, masses of them, lots of them. Billions of them. Guiding lights, each one saying independently, "Come this way." While doing that, have some appear behind you, doing the same thing. OK. Just mock-up mobs of guiding lights. Do what you please with them.

Now let’s get some things you’re not, at this moment, causing.

And give me three places where you don't have to be in the next three seconds. Some more. Some more. OK.

And some barriers which you are not, at this moment, dropping in front of yourself.

Mock-up a sound. Change it and stop it. And then keep on doing that, time after time after time after time. Just mock it up. Change it. Stop it. Mock it up, change it, stop it. I don't care what kind of a sound it is. Anything you can get. Mock-up a sound, change it, stop it.

All right. Now be a good distance from your body-and those in the body can still run this. And mock yourself up going in one direction and then drop a barrier in front of yourself and stop yourself.

Alright, get a mock-up of you now being bombarded with sound from all sides, going frantic and spinning in. Duplicate it. Duplicate it. Duplicate it. Duplicate it. Duplicate it.

Then change your direction and a barrier in front of you again.

Now mock-up a beam of light. Change it and stop it. Mock-up a beam of light, change it and stop it. Again. Again. Again. Do it some more. Now get it to come from another direction entirely, one you've neglected. Change it and stop it each time.

And then change your direction and move off and then drop a barrier in front of yourself to stop yourself.

Now give me some predicaments, some predicaments from which you are not trying to extricate yourself. Some difficulties from which you're not trying to pull yourself out. Some more difficulties from which you're not trying to pull yourself out, and spot where these are geographically each time.

And have you back up and, as you back up, drop a barrier behind you to stop you from backing up.

Now get several places where you're not trying to bring yourself back to life. Some more places where you're not trying to bring yourself back to life. Now some places where somebody else is not trying to bring you to life. Now some places where somebody else isn't trying to bring himself back to life. And some places where you are not trying to bring somebody back to life. And some mythical or fictitious lives where you're not trying to wake yourself up in. Some mythical, fictitious lives into which you are not trying to wake up.

And have you go in a new direction and stop yourself.

OK. Give me a couple of particles now that you don't object to having together. A couple of particles you don't object to having apart. And get somebody else and get a couple of particles this person doesn't object to having apart. And doesn't object to having together.

Then start yourself out again.

Now name to yourself several people, several people you don't have to have with you in order to be audited. C'mon, let's get some.

And drop a barrier in front of yourself and, this time, go on through it.

And give me some places where you are not.

And drop another barrier in front of yourself and stop yourself. '

Be way up in the sky somewhere. Way up. And now get something in front of you and say, "I'm now going to move it in this direction," and move it in that direction. Something else, and move it another direction. Continue that exercise.

Now throw all that away.

Now let's find something real in the environment, and reach it and withdraw from it.

And mock yourself up as a frog.

Find something else real in the environment, and look straight through it.

And change it to a frog with horns.

Now give me some items that are not hopeless. Some more items that are not hopeless. Something about the future that is not hopeless.

And get what a beautiful frog with horns you are.

Now get some things you are not at this moment causing.

And change it to a frog with a pair of earmuffs on.

Some places where you are not.

Now have the frog jump and halfway in the jump, stop the frog in midair and make the frog jump backwards.

Some places where your body is not out of control.

Now change the frog into a poodle dog.

Now feel something. Any way you care to, just feel something. Determine whether or not you felt it. Determine whether or not you cause it.

And with you as a poodle dog, make yourself wag your tail.

Now get the person that you least would like to think you were like. That you least would like to think you were like, and mock yourself up as that person. Mock yourself up as that person, flanked by mobs of that person. More of that person. Now get that person considering you with their traditional attitude you find in that person. You have the attitude. And consider you. Now mock-up mobs of you again as that person considering you as an individual. Again. Again. Again. Again. Again. Now mock yourself up as yourself considering that person. Again. Again. Now as that person considering you. Again. Again.

Okay. Now with yourself as a poodle dog, make yourself walk forward and put a barrier in front of you and stop you.

And now give me some places you are not.

Now have yourself go in a new direction and put such an unlimited space in front of yourself, as a poodle dog, that you decide it’s too weary and have the dog stop.

Some conditions you do not have to be in.

Now start the dog off again and put an unlimited space in front of the dog, have the dog get exhausted and stop.

Find something that's really real to you.

Start the dog off in a new direction, put an unlimited space in front of him, have him get exhausted and stop.

Find the floor beneath your feet.

Now start the dog off in a new direction, put an unlimited space in front of the dog and have the dog say, “Oh my, unlimited space” and have him start going.

Locate the anchor points of the room.

Now throw yourself away as a poodle dog.

Find the floor.

And mock yourself up as a cat.

End of session.

And have the cat get mad. Have the cat decide it mustn’t get mad and get very propitiative and tame.

Now have the cat get mad again.

Now get propitiative.

Now get independent, have the cat get very independent now. Decide that you are the cat and that you’re a very independent cat.

Now have the cat eat a fish and change into the fish and have a fish as yourself.

And have the fish start swimming and put a barrier in front of it and stop it.

And have it start swimming in another direction, put a barrier in front of it and stop it.

Have it back up and put a barrier behind it and stop it.

Now put unlimited water in front of the fish and have the fish get exhausted and stop.

And more unlimited water in front of the fish and have it get exhausted and stop.

And more unlimited water in front of the fish and have the fish say, “Oh boy, unlimited water” and start swimming off like mad.

And throw that away.

All right. Look around the room now and pick out an object. Look around the room and pick out an object.

If you’re well exteriorized, just look around the environment and pick out an object, not just the room.

And pick out that object and decide it’s the thing that’s communicating with you, flinch and refuse to look at it.

Look around, find another object, decide it’s trying to communicate with you, flinch and refuse to look at it.

And repeat that process, several times.

Now get very accusative and go round the environment, saying to any object that turns up, “You’re trying to communicate with me” and flinch away from it. Get very accusative about it.

Run around, find all sorts of them.

Okay. Now start spotting objects.

Now start spotting objects and be very accusative toward these objects. And each one you spot, say, “You’re pulling things out of me” and flinch away and refuse to connect with it. And find another one: “You’re pulling things out of me.”

Continue to find them, continue to go through that exercise. Any object you see, decide that very positively. And be very accusative toward it: “You’re pulling things out of me.”

Now get spaces, spaces that are pulling things out of you.

Now look around and find object after object.

And get a big feeling of desire, on your part, and say to each one of these objects, “Please pull something out of me.”

Okay.

Now, let’s hit the guiding light again. Mock-up a guiding light, anywhere, mock it up anywhere. “That is my guiding light, it knows all, it predicts the future.” That’s what you do with it this time. And keep putting it there. Keep putting that guiding light there.

Just keep putting it there, the object being to get as much energy outflow from it as possible. I don’t care how dark that it may be or how bright it may be or anything else, just keep putting it there.

And get it as bright and as hot-as bright and as hot and as dense as possible.

Put it there some more. You’ll probably find a specific place it goes, that it should be.

Get how much it knows-how much more it knows than you.

Get a reverent attitude toward it.

If it flies in on you, just keep putting one where you put it in the first place and neglect the one that flies in.

Now see if you can’t put it there continuously, which is to say, not by pulses, but just pour the juice to it. Put it there continuously. And get how nice it is to have a guiding light.

Now make it brighter and hotter, denser. Have it crackle radioactively.

If it insists on flying in or flying away or doing anything strange, you’ve decided where it ought to be fixed and you fix it there. Let the things that fly away and fly in go to hell and just keep putting a new one there.

If you’re getting the idea something is about to blow you apart or your body apart or something of the sort, why, just keep putting it there.

Now if you had one of these turn up in processing-you had one of these turn up in processing or several of them, repeat the thing as an automaticity.

One of you was ducking like mad from a bunch of these things one day. Just throw some more up there.

All right Now mock yourself up flip-flopping, totally out of control. And enjoy it.

All right. Now get this flip-flopper flopping harder.

And get some more enjoyment of this.

Okay. Now give me three places you’re not.

Some more places you’re not.

Now some places where another person is not. Specific person.

And now some places where another thetan isn’t.

Come on, you can find one.

Okay. Look around anything-any part of the environment now and find something that’s quite real to you.

Group Processing: Assignment of Cause

And reach for it and withdraw.

Okay. Now let’s check off some places where your-your condition does not exist, some places where your condition does not exist.

Some more places where your condition does not exist. What do I mean by “condition?” I just mean condition, that’s all.

Now let’s check off some places where you don’t have to put some life into symbols.

Now let’s find something real in the environment and reach for it and withdraw from it.

Okay. Now let’s get the idea-exteriorized is best; still do it, interiorized-let’s get the idea of walking away, finding something and putting nothing there.

And continue that as a cycle: Walk away, find something and put nothing there.

Continue that as a cycle: Walk away, find something and put nothing there. If you can’t put nothing there easily, cover it up with blackness.

Do it some more.

Now let’s find some places where you’re not, at this moment, going unconscious.

Some more places where you’re not, at this moment, going unconscious.

Now check that over to some places where you don’t need to go unconscious at this moment.

All right. Now be well outside-or if you’re interiorized, do it just the same-and look around the environment, look around the environment, pick out objects or people and say, “You’re what made me wrong” and flinch and refuse to look at it.

And then go find something else, “You’re what made me wrong” and flinch.

Find lots of them, now.

Okay.

Now give me some places you are not.

Now give me some places you are not yawning.

And now some places you’re not dying.

All right. Now mock yourself up as endowing something with life.

And duplicate it.

Granting beingness to something and duplicate it.

And just continue to duplicate.

Duplicate it some more. Endowing something with life. And duplicate it and duplicate it and duplicate it and duplicate it and duplicate it.

Now throw that away. And get the idea of endowing something else with life. And duplicate that many times, rapidly.

Okay. Now throw it away.

Get the idea of duplicating this now, disendowing something with life. Disendow something with life and then start duplicating it.

If you’ve picked one that’s tough to do, why, knock somebody off one way or the other, cut their head off or something. Get the idea of cutting your own head off, anything. Get the idea of blowing your own brains out or something of this sort and then duplicate it and duplicate it and duplicate it.

Some more.

Now let’s check off several futures you don’t have to live. Several futures you don’t have to live.

And several things you don’t have to duplicate.

Now let’s find some things you can duplicate.

Okay.

Let’s look around the environment now and find some things, level an accusative finger at them and say, “You’re the cause.”

That’s right. Run around the environment, “You’re the cause.”

Get all the reasons why they’re the cause, now.

Now start mocking-up people, now, saying to them one after the other, “You do this.” And then the next one, “You do that.” And then the next one-mock-up another one, “You do this.” Mock-up another one, “You do that.”

Just all kinds of people, one after the other, “You do this. You do that. Don t pay any more attention to them after you tell them, [pause] You do this. You do that.”

Let’s start mocking-up preclears, “You do this.” And then get another preclear and “You do that.” Another preclear, “You do this.”

All right. Now let’s check off some things you don’t have to be certain of.

Some things you don’t have to be certain of.

Now some places you’re not.

Now mock-up a whole mass of dots of light or people, whichever is easiest to get, with the idea “You’re my kind of people.”

Throw them away, in another mass. And throw them away, in another mass. And throw them away, in another mass. Each time, “You’re my kind of people.”

All right. Now mock-up these dots of light or people, whichever is easiest, or black spots and have each one of them with the idea to you "You’re my kind of people.” Terrific agreement here amongst them that you’re their kind of people.

Mob after mob after mob after mob, each time, “You’re my kind of people.” Or “You’re my kind of thetan.”

Okay. Now let’s get mob after mob of you, agreeing that you’re your own kind of people.

Okay. Now check off some things you didn’t do.

Some more things-great certainty now, only certain things-things you didn’t do.

Some more things you didn’t do.

Now some things you don’t have to know whether you did or not.

And now let’s get something you won’t have to do exactly right.

And some places you are not.

Some places you’re not unconscious.

Now be way away from here someplace and pick out people, one after the other-you’re still here, pick them out here-and theta-wise, point to each one, saying, “You’re the cause of what happened” and get the reasons why.

Person after person after person.

Okay. Now in front of you, mock-up a little object, a strange little object, that does something which will tell you immediately to go away or perform or do something. Don’t bother to obey it, just mock-up the object in front of you, some strange little object, giving you a sudden, surprising signal. It arrives and you do something.

Throw it away and put another one there doing the same thing and another one and another one and another one.

Okay. Now get the idea of going away, returning and finding nothing and putting something there.

All right. Now get the idea of somebody else going away and thenyow putting something there, in their stead. They go away, you put something there. They go away, you put something there.

All right. Now let’s get the idea of you going away and somebody else putting something there. And continue that as a cycle.

And continue that some more. You go away, somebody else puts something there, in your stead.